CBA Culture Services

Content shot where the work happens.

job sites, not stock photos

Drone coverage, job-site photo and video, and copy written by people who know a footing from a form. We capture the work you're already proud of and turn it into content that gets calls.

The work

The best marketing asset in your company is sitting on your job sites right now. The pour at sunrise, the crane pick, the crew that's been with you for years.

We show up with cameras and a shot list, stay out of the way, and leave with a library of photo and video you'll pull from for months. Drone coverage where it earns its place, ground footage where the detail matters.

Then we cut it for every platform, write the captions, and keep your feed fed with work that's actually yours.

What a capture day looks like

We build a shot list with you ahead of time, show up when the site has something worth filming, and stay out of the crew's way. You go back to running the job; we leave with a library.

Job-site content across Houston and Texas

We're a Houston shop and most of our shooting happens on Texas job sites. Yards, plants, builds, showrooms. If the work is worth being proud of, it's worth capturing properly.

Read the Cherokee Brick case study

What's included

  • Drone photo and video coverage
  • Job-site photo and video days
  • Edits and cut-downs for every platform
  • Captions and copy in your voice
  • A content library you pull from for months
proof, not promises

Cherokee Brick's content has passed 8 million views.

Shot on real projects with real crews. Construction audiences can tell the difference, and the numbers show it.

Straight answers

Can't we just use phone clips?

For daily posts, phone clips are fine, and we'll coach your crew on getting better ones. For the content that wins contracts, professional media signals the same standard of quality as your work. Buyers notice the difference even when they can't name it.

What do you need from us before a shoot?

A conversation about what's happening on site, access, and a point of contact. We build the shot list, you approve it, and we plan the day around your schedule, not ours.

Who owns the content?

You get usage rights to everything we deliver, sized for web, social, and print. We keep the right to show the work in our portfolio. No hostage situations.

How often should we shoot?

Less often than you'd think. One well-planned capture day produces a library you'll post from for months. Most clients run a steady rhythm of shoot days spread across the year so the feed never goes hungry.

Let's talk about the job.